UN DAY:
Innovation, not replication
Have criteria for every
1)
Your original idea must connect to the theme, to provide insight and unawareness into about the theme
2)
Your presentation must be guided by our mission statement. Consequently show international education of the highest quality
3)
Your audience presentation must be well prepared and include polished performance and presentations designed to engage the spectators
4)
Your presentation should imaginatively use Multi/ Trans media in an original manner
Mary Overlie’s SSTEMS as our back up
MAIN BACKERS:
Brecht
Dialectical Theatre – Teaching Theatre
Boal
Theatre of the Oppressed
Trust Games
Spectactors
Stanislavski
Magical IF
Realism
Method Acting
Emotional Recall
Grotowski
Poor Theatre – Minimal Props
No lavish trapping
Physical Theatre
Laban
Movement Specialist
8 Efforts
Artaud
Theatre of Cruelty
Shock and Disturb Them
Meyerhold
Biomechanics
Etude
Zero Points
Bob Wilson
Director
Total Theatre
For the Senses
Robert Lepage
Ex- Machina
Multi-Disciplinary
Change it until it is Perfect
Uta Haggan
9 questions
Michal Chekov
American Stanislavki taught by a Russian Man
Anton Chekov
Michal's uncle.
Playwritght
Medicine is my wife and literature is my mistress
David Mamet
Mamet Speak
Short, rought and street language ‘No censorship
Moody Pessimistic
Eugeno Barbo
Pre-expressivity
Energy Level
Your body should be narrating
Beckett
Absurdism
Life is
Marie Overlie
SSTEMS
VIEW POINTS
Deconstruction
Reconstruction
Peter Brooke
The Empty Space
Sicilly Berry
Voice Coach – Prossodically
Breathing Articulation
Patsy Rodenburg
Second Circle
Voice Coach – for Royal Shakespeare Company
Being in the Present
Gabriel ROuth
5Rythyms
Everyone can move
Proxemics
- Edward Hall - Personal Space
Prosody
- Laban, Pinterest Silence, Visual Cues that we give people.
Semitoics
We encode for audiences to decode.
OBVIOUSLY THERE ARE MORE
Triage- How to prioritize medical need
RUn a camera every time something is happening