13/ 1/ 2015
DRAMATURGE
SCENOGRAPHER
DESIGNER
Lighting Design
Set Design
Make Up Design
Costume Design
Audio Visual Design
Projection Design
4 main parts
Director
Producer
Performer
Creator
‘ Mis En Scene'
Bach counter pointed music
Composition - contramotion
symmetry and asymmetry
Kinetic Sculpture
Isovisit Field
Immersive Theatre
- Could be physical, architectural, industrial
An adult field
Think in commander mode
Start by considering the soviet field - to evoke the mood within the audience, set the scene before you even begin
Then- how do you enter the soviet field, intrude or evade the space? It is important
How do you begin, design to reliasation
What does the audience feel , experience, what do you share with them?
The audience must see the thought process, how?
Let them see you playing hide and seek with yourself - your mental thought process
Now present your crude
Breathe language and feel = need to be expressed properly
The adhesive for the words
ABC of words - How does the word soothe and savage because it is both my sword and my ointment
Physical and Psychological boundaries, what is broken and how are you going to heal it? Thematic Element
7 deadly sins
Theme should never be 1 word, it should be longer because it should reflect on the complexity
Greed, revenge
Envy
Lust
Sloth
Pride
Wrath
Gluttony
You guide the audience through it all
Aristotle theatre elements
Always connect to the
Have a surprising twist towards the end
Most vocal= when they are sad
What swims, breathes and represents silence
Content silence, expected silence, aggressive silence,
A lot to doing a monologue
If a great play is brought behind glass, the movement should tell a story= they make a difference
The silence connects the speech
A silence which is expectant
It’s not silence, its the assassin of silence
What died to produce it
naturlism
Absurdism
Comedy of Errors
Elizabethean
18/ 1/ 2015
Grief
Fear
Anger
Surprise
Love
Laughter
- Declaritve
Imperative
Exclamation
Interrogative
Paul Eckman
Uta Hagan
Occupation and Doings
What do you do when you seemingly have nothing to do?
What gives us a presence
Exercise= waiting
How to be occupied without being occupied
Make your presence known
Gestures
Taps
Laban
breath language
use of space
Semiotics
Do less but show
Where we are?
What we’re wearing?
Where we are going?
Why you’re going where you’re going?
Give yourself enough room to consider something, an inner object?
Outer and inner objects
UNDERWEAR
= Posture
You have to believe in the presence of the being
25/ 1/ 2015
Creator
Designer
Director
Performer
(Producer?)
Soundscape
Backbeat
Context
Process
Presentation
25/ 10/ 2015
Aeschylus, Sophocles, and Euripides were three writers of tragedy, whereas ...
Euripedes:
Madea = Greek barbarian, Jason’s wife, murders brothers, murders children
Sophocles:
Aeschylus:
What did you do?
you encode so director will decode
Weight and Content of every word?
Fill and inject the word with whatever you choose
Words should jingle jangle- onomaetopia
Breathe Language
The first thing we’ll do is breathe, and the last thing er’ll do is hop
Intention
Hearts race- happiness,
Spatial Relationship
Design Process Structural Composition
Looking it as a director, deigned, producer, performer
25/3/ 2015
Carl Jung
Augusto Boal
Ista TAPS London
Immersive Theatre
Theatre in the World
Verbatim Theatre
- Colour of Justice
- Larryman Project
Uta Hagen
Coolridge- author and poet
Suspension of disbelief
Experimented
Artaud
Theatre of Cruelty
Grotoswky
Theatre of the Poor
Charm and Alarm
Stella Adler- Imagination instead of memory
Stanislavski - Magic 'If'
Backbeat
Hot Seat- DIE
Theatre in Perfomance
Peter Brookes - space
Horney's - characterization
Our Inner COnflicts
Realism
make-up
Ensemble- better performer
Bringing the ensemble up one by one
disappointment - never take preparation for granted.
Stanley McCandless
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Time Consuming
Behind the Scenes Involvement
Harold Pinter
Patrice PAVIS
CECILY BERRY
PROSODIC
PINTERESQUE SILENCES
PETER BROOKES - ACID TEST
MANIPULATION OF SPACE, THE EMPTY SPACE
ESSENTIAL ELEMENTS OF THEATRE
spectators in action - boal's action
Gamsercises - games for actors
Specific words
Practical Aspect to Theoretical Underpinning.
Building Connections
Pina Bauches - Grotesque DAnce Theatre
Krsiten Linklayer
kate champion - dv8
Keep going back
Stay away from the spoken words
2 Dimensional of Her
-Flora Elise Nobel
Meyerhold
Installation
suspension of space
brecht's alienation
Spectator
Stepts to every connection I make
Decrues Corporeal Mime
Commedia Dell' Arte
Megan Kampize
LeCoq
Neautral Mask
Above and Beyond
Michael Chekov
Theatre in the making
Theatre of the World
12th Night
Dared to be Different
Direction and Intent
Laban - Floating and Gliding
Stella Adler
Aristotle
Michael Chekov's centre
The character must stand up
Hitchcock
Stopping and paying attention to every detail
I can confidently say.....
Not afraid to fall
Thirst for Knowledge
Stronger drive for perfection
UN DAY IDEAs
Each have a lantern, stage is pitch black. Omniscient Narrator. Hints at the devil.
The traveller, the journey
Town crier
Beacon Effect
Director's concept
12th April
Isovist Fields
-S - Spires
-P- Pathways - What path are we directing people down.
-A
-C
-E
DRAMATURGE
SCENOGRAPHER
DESIGNER
Lighting Design
Set Design
Make Up Design
Costume Design
Audio Visual Design
Projection Design
4 main parts
Director
Producer
Performer
Creator
‘ Mis En Scene'
Bach counter pointed music
Composition - contramotion
symmetry and asymmetry
Kinetic Sculpture
Isovisit Field
Immersive Theatre
- Could be physical, architectural, industrial
An adult field
Think in commander mode
Start by considering the soviet field - to evoke the mood within the audience, set the scene before you even begin
Then- how do you enter the soviet field, intrude or evade the space? It is important
How do you begin, design to reliasation
What does the audience feel , experience, what do you share with them?
The audience must see the thought process, how?
Let them see you playing hide and seek with yourself - your mental thought process
Now present your crude
Breathe language and feel = need to be expressed properly
The adhesive for the words
ABC of words - How does the word soothe and savage because it is both my sword and my ointment
Physical and Psychological boundaries, what is broken and how are you going to heal it? Thematic Element
7 deadly sins
Theme should never be 1 word, it should be longer because it should reflect on the complexity
Greed, revenge
Envy
Lust
Sloth
Pride
Wrath
Gluttony
You guide the audience through it all
Aristotle theatre elements
Always connect to the
Have a surprising twist towards the end
Most vocal= when they are sad
What swims, breathes and represents silence
Content silence, expected silence, aggressive silence,
A lot to doing a monologue
If a great play is brought behind glass, the movement should tell a story= they make a difference
The silence connects the speech
A silence which is expectant
It’s not silence, its the assassin of silence
What died to produce it
naturlism
Absurdism
Comedy of Errors
Elizabethean
18/ 1/ 2015
Grief
Fear
Anger
Surprise
Love
Laughter
- Declaritve
Imperative
Exclamation
Interrogative
Paul Eckman
Uta Hagan
Occupation and Doings
What do you do when you seemingly have nothing to do?
What gives us a presence
Exercise= waiting
How to be occupied without being occupied
Make your presence known
Gestures
Taps
Laban
breath language
use of space
Semiotics
Do less but show
Where we are?
What we’re wearing?
Where we are going?
Why you’re going where you’re going?
Give yourself enough room to consider something, an inner object?
Outer and inner objects
UNDERWEAR
= Posture
You have to believe in the presence of the being
25/ 1/ 2015
Creator
Designer
Director
Performer
(Producer?)
Soundscape
Backbeat
Context
Process
Presentation
25/ 10/ 2015
Aeschylus, Sophocles, and Euripides were three writers of tragedy, whereas ...
Euripedes:
Madea = Greek barbarian, Jason’s wife, murders brothers, murders children
Sophocles:
Aeschylus:
What did you do?
you encode so director will decode
Weight and Content of every word?
Fill and inject the word with whatever you choose
Words should jingle jangle- onomaetopia
Breathe Language
The first thing we’ll do is breathe, and the last thing er’ll do is hop
Intention
Hearts race- happiness,
Spatial Relationship
Design Process Structural Composition
Looking it as a director, deigned, producer, performer
25/3/ 2015
Carl Jung
Augusto Boal
Ista TAPS London
Immersive Theatre
Theatre in the World
Verbatim Theatre
- Colour of Justice
- Larryman Project
Uta Hagen
Coolridge- author and poet
Suspension of disbelief
Experimented
Artaud
Theatre of Cruelty
Grotoswky
Theatre of the Poor
Charm and Alarm
Stella Adler- Imagination instead of memory
Stanislavski - Magic 'If'
Backbeat
Hot Seat- DIE
Theatre in Perfomance
Peter Brookes - space
Horney's - characterization
Our Inner COnflicts
Realism
make-up
Ensemble- better performer
Bringing the ensemble up one by one
disappointment - never take preparation for granted.
Stanley McCandless
Advertisement
Time Consuming
Behind the Scenes Involvement
Harold Pinter
Patrice PAVIS
CECILY BERRY
PROSODIC
PINTERESQUE SILENCES
PETER BROOKES - ACID TEST
MANIPULATION OF SPACE, THE EMPTY SPACE
ESSENTIAL ELEMENTS OF THEATRE
spectators in action - boal's action
Gamsercises - games for actors
Specific words
Practical Aspect to Theoretical Underpinning.
Building Connections
Pina Bauches - Grotesque DAnce Theatre
Krsiten Linklayer
kate champion - dv8
Keep going back
Stay away from the spoken words
2 Dimensional of Her
-Flora Elise Nobel
Meyerhold
Installation
suspension of space
brecht's alienation
Spectator
Stepts to every connection I make
Decrues Corporeal Mime
Commedia Dell' Arte
Megan Kampize
LeCoq
Neautral Mask
Above and Beyond
Michael Chekov
Theatre in the making
Theatre of the World
12th Night
Dared to be Different
Direction and Intent
Laban - Floating and Gliding
Stella Adler
Aristotle
Michael Chekov's centre
The character must stand up
Hitchcock
Stopping and paying attention to every detail
I can confidently say.....
Not afraid to fall
Thirst for Knowledge
Stronger drive for perfection
UN DAY IDEAs
Each have a lantern, stage is pitch black. Omniscient Narrator. Hints at the devil.
The traveller, the journey
Town crier
Beacon Effect
Director's concept
12th April
Isovist Fields
-S - Spires
-P- Pathways - What path are we directing people down.
-A
-C
-E